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29 апр 2025 : 
ACCEPT Recruits Producer CHRIS 'ZEUSS' HARRIS For Upcoming 50th-Anniversary Album

23 фев 2025 : 
WOLF HOFFMANN On ACCEPT's 50th Anniversary: 'Not Every Band Is Lucky Enough To Be Around For This Long'

7 янв 2025 : 
ACCEPT's MARK TORNILLO Isn't Thinking About Retirement: 'I Don't See Any Reason To Stop'

30 дек 2024 : 
ACCEPT Singer MARK TORNILLO On Turning 70: 'I Wear It Like A Badge At This Point'

22 дек 2024 : 
Former ACCEPT Bassist PETER BALTES: How I Became A Born-Again Christian

13 дек 2024 : 
Ex-ACCEPT Bassist PETER BALTES On His Long-Awaited Solo Album: 'I've Been Working On It'

9 дек 2024 : 
ACCEPT's WOLF HOFFMANN: 'I Hope That Live Music Will Never Be Replaced' By Artificial Intelligence

26 ноя 2024 : 
ACCEPT Live At Wacken Open Air 2024; Pro-Shot Video Released

24 ноя 2024 : 
WOLF HOFFMANN On ACCEPT's 50th-Anniversary Tour: 'It's Gonna Be A Completely Different Show With A Lot Of Surprises'

27 сен 2024 : 
ACCEPT's MARK TORNILLO Says His Statement That U.S. Is 'Not Metal Territory Anymore' Was 'Just A Passing Comment'

17 сен 2024 : 
TIM 'RIPPER' OWENS Celebrates 57th Birthday By Joining ACCEPT For 'Balls To The Wall' Performance In New York City

11 сен 2024 : 
ACCEPT's WOLF HOFFMANN On 'The True Meaning Of Happiness'

5 сен 2024 : 
ACCEPT's WOLF HOFFMANN Marries Violinist AVA-REBEKAH RAHMAN; Photos

3 сен 2024 : 
Watch: ACCEPT Kicks Off North American Tour With KK'S PRIEST At Whisky A Go Go

31 авг 2024 : 
ACCEPT's MARK TORNILLO Clarifies His Comment That U.S. Is 'Not Metal Territory Anymore': 'I Didn't Mean It In A Derogatory Way'

7 авг 2024 : 
ACCEPT's WOLF HOFFMANN Recalls Photographing And Spending Time With LES PAUL

6 авг 2024 : 
ACCEPT's WOLF HOFFMANN Says UDO DIRKSCHNEIDER And PETER BALTES Are 'Welcome' To Take Part In 50th-Anniversary Tour

4 авг 2024 : 
Watch: TIM 'RIPPER' OWENS Joins ACCEPT For 'Balls To The Wall' Performance At WACKEN OPEN AIR

22 июл 2024 : 
ACCEPT Joined By JUDAS PRIEST’s ANDY SNEAP For “Balls To The Walls” In Athens; Video

14 июл 2024 : 
ACCEPT's WOLF HOFFMANN: 'The Experience Of A Live Show Has As Much Value As, Or Maybe Even More Value Than, It Ever Did'

2 июл 2024 : 
ACCEPT To Celebrate 50th Anniversary With Tour And Album Of Re-Recorded Classics

23 июн 2024 : 
ACCEPT's WOLF HOFFMANN Describes His Experience As A German Immigrant Living In America

1 июн 2024 : 
HERMAN FRANK On ACCEPT: 'Nowadays They Need Three Or Four Guitar Players To Do What I've Done With WOLF'

26 май 2024 : 
ACCEPT's WOLF HOFFMANN Explains Why He Didn't Use His Flying V Guitars In The Studio

16 май 2024 : 
UDO DIRKSCHNEIDER And PETER BALTES To Celebrate 40th Anniversary Of ACCEPT's 'Balls To The Wall' On 2025 European Tour

15 май 2024 : 
WOLF HOFFMANN Responds To PETER BALTES's Comment That ACCEPT Albums 'Started To Sound The Same'
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|||| 13 дек 2024

Ex-ACCEPT Bassist PETER BALTES On His Long-Awaited Solo Album: 'I've Been Working On It'



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In a recent interview with The Blairing Out With Eric Blair Show, former ACCEPT and current U.D.O. bassist Peter Baltes was asked about the status of his long-awaited solo album. He responded (as transcribed by BLABBERMOUTH.NET): "Yeah, I've been working on it. And I was really gonna go for it because I had certain players in mind to play it. [One of them was DEEP PURPLE keyboardist] Don Airey. Then he was on tour, so I couldn't get him. And then [former ACCEPT and current U.D.O. singer] Udo [Dirkschneider] called me: 'Can you help me out [by playing bass for U.D.O. on tour]?' And since he called me, I've been on the road or recording with him. I did [Udo's] 'My Way' album and I played on the last [U.D.O.] album [2023's 'Touchdown']. I didn't have any time and it's killing me. I'm going home now for three weeks, and I've gotta spend time with my wife… And then we're going to South America and we're going back to Europe. Then I have December. Then I have something to do with the DATOG [DIRKSCHNEIDER & THE OLD GANG] album. We just recorded that. Then the end of February, the European tour starts. So there is no continuous like four or six weeks I could dive in. I don't know. That's how it's gonna be. That's how it's gonna live — song by song, piece by piece I have to put it together."

Regarding the musical direction of his solo material, Baltes said: "It's really like old progressive, EMERSON, LAKE & PALMER meets [DEEP] PURPLE meets RUSH meets MOTÖRHEAD. It's all in there in my own little world that I am. And it's very bass driven. And I'm struggling so much because I don't know if I should sing it myself. And then I could never do it live because I'm not a frontman; I play bass. I didn't wanna stand there sing at the same time; that wouldn't be me. So there had to be a singer there anyway. So I figured I'm gonna sing it, get it all finished, and then I'm gonna find a singer or have somebody sing it. And then I just alternate the ones that I really like where I'm on, keep them and everything else, [have] somebody else [sing those]."

When Blair noted that Baltes's vocal performance on some of the old ACCEPT records was "fantastic", Peter said: "Well, you can never tell by yourself, but I did some background vocals on a SCORPIONS album, because I come really high. I do like it. And next year when we do [a tour celebrating] 40 years [f ACCEPT's] 'Balls To The Wall' [album under the DIRKSCHNEIDER banner], we're gonna play the entire album. I'm gonna pick one of the old ballads that we never played and we're gonna play that live. And it's just gonna be a nice special treat for the fans."

This past October, Baltes launched a GoFundMe campaign to assist him and his wife in repairing their home in Nokomis, Florida due to damages caused by Hurricane Milton. Only $2,783 was raised of the campaign's initial $10,000 goal.

In October 2023, Peter spoke to Jorge Botas of Portugal's Metal Global about his decision to exit ACCEPT in 2018 after spending more than three decades with the Wolf Hoffmann-led outfit. He said: "Everybody knows now. I did a lot of interviews, and I really don't wanna talk about it anymore, but basically we used to go up as a band, as friends and stuff, and then these things change business-wise and music-wise. And then it always seems that somebody wants all the influence. Once you're not involved anymore in the decision making, what's the point? I'm not interested in that. So I left."

He added: "In order to be creative and in a good spirit, you have to feel good about what you're doing. That's the number one reason you're doing it in the first place that you started. If you go back, when you were really little and how you started, it was just a love for music. You had no idea how good you were. If you ever had talent, that all didn't matter because you just worked hard on it, and that's where you ended up.

"I had a lot of fans write, 'Why did he leave the mighty ACCEPT and join the little U.D.O.?' And they just don't get it. It doesn't matter — it really does not matter."

In June 2023, Baltes discussed his departure from ACCEPT in an interview with Rock And A Hard Place. The now-66-year-old bassist said: "I wasn't the happiest person in ACCEPT before. In my life, every day counts. When you reach my age, I wanna enjoy my life and I don't wanna do anything I don't like. I have that right now."

Asked if Udo's exit from ACCEPT was caused by the singer's disagreements with Wolf and Hoffmann's then-wife Gaby Hoffmann, who also managed ACCEPT for several decades, Peter said: "The problem was always between Wolf and his wife and Udo. I never had a problem with Udo. I guess [Udo] wasn't sophisticated enough. He was a blue-collar guy. He was a singer. It never worked out between them. They just hated each other.

"I said that in another interview a while ago, I said here we made the biggest mistake," he continued. "I was asked, actually, by Metal Hammer [what I thought] the worst ACCEPT album [was], and I said it must have been [1989's] 'Eat The Heat' [which featured David Reece on vocals], because we left our true destiny. The singer, which was the sound of the band, is gone, and we try with an American singer to sound like DEF LEPPARD. What a stupid idea there.

"I think in 2005 we did a reunion tour with Udo. But I kept in touch with Stefan [Kaufmann, former ACCEPT drummer], and through him with Udo. Wolf and Gaby always had their [spats with Udo] back and forth in the media, and I kept out of that."

Peter added: "I told the guys in the [later version of ACCEPT], because they all chimed in, 'Eff Udo,' this and that. And I'm thinking, 'Without Udo, you wouldn't be in this band. You're the singer now and you're drummer. You're all humping on Udo. You never met the man, first of all. You never said a word to him. It is so easy to judge somebody. Without him, you would be nowhere.'"

Asked if he felt like he was stuck in the middle between Hoffmann camp and Dirkschneider, Peter said: "Of course. You grow up together, and you have a band. Fans — people who follow a band — for them it's hard to fathom and understand what you're going through, because you spend half a lifetime together or even longer. And you trust people. And then trust is betrayed. And you think, 'Why? What is there to gain? A little bit more money? Power? Is that it?' And I guess that is what it is. Certain people need control; they can't let go. And if they don't have it, they're not happy."

Baltes also reflected on the Mark Tornillo era of ACCEPT, which began with the "Blood Of The Nations" album and has produced five more LPs so far.

"In the end, when you mention ACCEPT albums, yeah, the first one was really good because that was stuff that mostly I had accumulated over the years," Peter said. "So Wolf and I wrote that first album together; that was killer. But after that, it was so predictable — it was the same riff; it's the same thing. So we were very divided. One side just wanted… I'll never forget that — he said, 'We can just do this and ride in the sunset together.' And I said, 'I think I have a different sunset in mind,' because I wanna be relevant with my music. I don't wanna just keep my fans happy and don't go anywhere else and just keep doing this. I wanna evolve; I wanna explore things. I come from a progressive background — EMERSON, LAKE & PALMER, things like this. So I was, like, 'This is the same stupid riff again, the same vocal line. Just another word.' I didn't wanna do it. [There were] too many things that were just bad — financial situations, trust issues, musical [ideas]. Everything was wrong. So that's why I left."

Baltes previously discussed his departure from ACCEPT in an interview with Finland's Chaoszine. At the time he said: "Well, it was… maybe the last two years, it started to go down. I didn't like it anymore. And I found out some things — I don't wanna elaborate — but I found out some things that are really not nice. I'd been together with Wolf my whole life, and that wasn't really necessary. Some people have to have all the control, and when it started going into the artistic control, then it really bothered me more. So I really wasn't into it anymore. And I was glad I did it, because it was 2018, and it was the last tour. And then corona happened anyway, so I got to record a lot of different albums. I played on Mick Mars's [MÖTLEY CRÜE] solo album. I did so many different things. And I was writing music for television and radio anyway, so I had two years of working [on] other stuff that I wasn't used to. And then, on the other hand, sitting at home for two years, when Udo called [and asked me to join U.D.O. and DIRKSCHNEIDER], that's why I took about five minutes to answer."

Peter's latest comments are similar to those he made in March 2023 in an interview with Scott Itter of Dr. Music. At the time, he said about his exit from ACCEPT: "The statement that came from the band literally five minutes after I announced that I'm leaving [back in November 2018], that I wanna spend more time with my family, well, that wasn't true. No, no. I was extremely unhappy. And I found out a few things. I'd been in the band forever, and I found out in the end, in this incarnation of ACCEPT, I wasn't even really a member; I was a hired gun. And it's these things that come out where you don't have any input, insight, and you start getting bitter. And there's no reason to, but somebody else's ego is just so big or whatever — two of 'em — that it just takes them there, and they just need to control everything and have everything and you name it. That's what got Udo out back then, and I think in the end it hit everybody. So I was the last one standing, but I couldn't stand it anymore. I needed happiness in my life, and there was no happiness there. It was just a dead horse. So I left after the tour. And in my case, it was the best I ever could have done."

Baltes was replaced in ACCEPT by Martin Motnik.

Three years ago, Hoffmann was asked by SiriusXM's "Trunk Nation With Eddie Trunk" if he had had a chance to talk to Peter since his departure from ACCEPT and if he had gotten clarification on why Baltes left the group. Wolf said: "No, man. That's kind of the sad part about it. He kind of made that decision alone, and we never really had a sitdown and a man-to-man talk that I was hoping we'd have. He just announced it to the world, and that was it, and at that point, it was almost too late. I have to respect his decision.

"I miss him very much, and I think he's always gonna be my buddy or whatever," Wolf continued. "But right now, we don't really have much in common. Because when somebody leaves the band, it's usually that we never really see them much again, as sad as it is. I wish we would, and maybe one day we will. But right now, we don't, really. But we didn't have any fights or anything. I can only speculate why he left the band, but I'd rather not."

Hoffmann was also asked if he was surprised to see Baltes working with Udo on some new music in 2020. He responded: "Yeah, I probably shouldn't say much about that. Again, I can only speculate what that was all about. At the end of the day, we do our thing, and everybody has to know for themselves what they wanna do. Yeah, let me not say as much about that as I can, please."

In January 2021, Hoffmann told Australia's Metal Mal that he was "a little bit heartbroken" when Baltes left ACCEPT. "I felt it was not only a sad day for ACCEPT, it was also a sad day for rock and roll, or heavy metal, in general, because I thought we were gonna be doing this until the sun goes down — I don't know; until forever," he said. "But he all of a sudden decided otherwise, and he made that decision, and that was it. And that's sad, but what can you do, man? I decided, along with everybody else, the show must go on, and we continue without him. So this is what we did. And here's the new album — without Peter. But it's still sad. I still miss him sometimes. It's just the way it is."

In November 2019, Hoffmann told Powermetal.cl that he no longer kept in touch with Baltes after the bassist exited the group a year earlier. "Unfortunately, when somebody leaves the band, they're always kind of out of sight, out of mind," Wolf explained. "It's very sad. I wish it wasn't that way, because we've been friends for so long. But the reality is I haven't really heard from him — even though I reached out a couple of times. He's almost like he wants to disappear or he wants to leave the music business altogether. It's sad and I still don't quite understand what really happened. But it is what it is, and we move on."




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13 дек 2024
>>>Потом начнётся работа в DATOG [DIRKSCHNEIDER & THE OLD GANG]. Мы только что записали альбом.

Етить.
13 дек 2024
Знатоки, подскажите в каких песнях Скорпионс он поет на бек-вокале?
13 дек 2024
decided, по памяти - только на альбоме Savage Amusement.
Включаешь Every Minute Every Day - высокие хоры в начале - это Балтес.
13 дек 2024
Мотник, уже заняв место Балтеса в Ассерт, записал сольник, собрав там несколько громких имен, включая душителя творческих свобод Вольфа. Тут как в жизни, одни делают, другие коллекционируют причины, почему не могут сделать.
И зачем эти прожекты UDO и DATOG, если весь 25 год маэстро будет лабать исключительно старый Ассерт под шильдиком "Диркшнайдер". Даже Saxon им разогревать, ну стыд же.
13 дек 2024
Rutger, ты, кстати, достаточно верно подчеркнул.

Если музыкант творчески не ограничен в рамках группы, то сольники ему и правда не нужны становятся. А если его творческую свободу душат, то да, тогда пишут эти самые сольники.
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