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Black Sabbath

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27 апр 2025 : 
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15 апр 2025 : 
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29 мар 2025 : 
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26 мар 2025 : 
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17 мар 2025 : 
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16 мар 2025 : 
K.K. DOWNING Says The Final BLACK SABBATH Show “Is Going To Be The Greatest Extravaganza In Heavy Metal History!”

4 мар 2025 : 

17 фев 2025 : 
GUNS N' ROSES, TOOL And RIVAL SONS Added To BLACK SABBATH's Final Show In Birmingham

17 фев 2025 : 
OZZY OSBOURNE Will Only Do 'Little Bits And Pieces' With BLACK SABBATH At Farewell Concert

14 фев 2025 : 

11 фев 2025 : 
K.K. DOWNING On His Participation In BLACK SABBATH's Final Concert Event: 'I Am Deeply Honored'

5 фев 2025 : 
Original BLACK SABBATH Original BLACK SABBATH To Play Final Show In July, With METALLICA, SLAYER, PANTERA, Others Supporting

24 дек 2024 : 
Watch JAZZ SABBATH Feat. ADAM WAKEMAN Perform BLACK SABBATH Classic "Paranoid"; Live Video Streaming

19 дек 2024 : 
BLACK SABBATH - Rare 1976 Technical Ecstacy Tour Video Unearthed

4 дек 2024 : 
ALCATRAZZ Drummer LARRY PATERSON Recalls Sessions For BLACK SABBATH's Forbidden Album - "The Riffs TONY IOMMI Junked Because They Didn’t Soar Would Have Been Treasure For Most Other Bands"; Photos

1 дек 2024 : 
ELO Drummer BEV BEVAN On BLACK SABBATH's Born Again Gig - "I Just Wanted To Work And I Had An Offer From My Best Friend In The Rock 'N Roll Business, TONY IOMMI, Because BILL WARD Wasn’t Fit Enough"

27 ноя 2024 : 
BLACK SABBATH Album Lands In UK Top 10, Twenty-Five Years After First Release

25 ноя 2024 : 
“I Got A Sharon Osbourne Cease And Desist Letter” During BLACK SABBATH’s Forbidden Studio Sessions Recalls Producer Ernie C

21 ноя 2024 : 
BLACK SABBATH – Official Audio For Cross Purposes Japanese Bonus Track “What’s The Use” Uploaded

7 ноя 2024 : 
BLACK SABBATH Release Newly Remastered HD Video For "Feels Good To Me"

31 окт 2024 : 
OZZY OSBOURNE And BLACK SABBATH's Legacy Celebrated By ASTON VILLA And ADIDAS

25 окт 2024 : 
BILLY IDOL Saw BLACK SABBATH A Month Before They Released Their Debut Album - "I Was Right In The Front Row And The Tassels Of OZZY's Coat Were Touching Me"

24 окт 2024 : 
BLACK SABBATH Release Newly Remastered HD Video For "The Hand That Rocks The Cradle"

15 окт 2024 : 
JAZZ SABBATH Streaming "Electric Funeral" From The 1968 Tapes; Audio

9 окт 2024 : 
JAZZ SABBATH Share The 1968 Tapes Album Preview; Audio
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|||| 10 апр 2013

BLACK SABBATH Bassist: 'We Have Done The Almost Impossible' By Recording New Studio Album



zoom
Sean Dudley of Australia's TheMetalForge.com recently conducted an interview with BLACK SABBATH bassist Geezer Butler. A couple of excerpts from the chat follow below.

TheMetalForge.com: How does it feel to have the original band (minus Bill Ward) back together again? Has that feeling changed at any time the band has come back together since the good old days?

Geezer: Well, we have been together, off and on, since 1997, but it is particularly exciting this time because we finally have a new album recorded. You have to feel extremely comfortable with each other to write and record an album, since we have seen each other almost every day for the last two years, but we persisted and we have done the almost impossible.

TheMetalForge.com: What considerable changes have you noticed, in terms of songwriting and also gelling as a band from the early days of BLACK SABBATH until now?

Geezer: In the early days, we would jam until one of us, usually Tony [Iommi, guitar], hit on a riff. On this album ["13"], Tony had recorded two or three CDs' worth of riffs, so we decided on what we were doing before we started jamming on it. A couple of the new songs were spontaneous while we were jamming, like the old days, but we needed a starting point for this album, and Tony had more than enough choices.

TheMetalForge.com: Remembering to back in the '60s, in your own words, explain how much the technology has changed in terms of recording/producing/mastering albums? How easy/hard was it to record the albums throughout the subsequent decades with the technology at the time?

Geezer: The first and second albums were recorded on two four-track machines — the first album in two days, the second in five days — so it was basically like doing a live gig in the studio. We didn't know anything about recording, as we had never been in a studio before, except for one two-track demo we did. We were just happy to have our songs recorded. As technology advanced, it was almost a curse to have so many tracks to record on; we lost focus of what the band was supposed to be about. It was great for experimenting, but we wasted a lot of time (and money) just pissing about in the studio on the later albums. These days, it's great, because you can have the equivalent of a major studio on your laptop, so you can save a lot of time and heartache by recording your ideas at home and then playing them to whoever you are working with, to get instant feedback. There is nothing to replace jamming live together, but it is great to have a reference point, to give direction.

TheMetalForge.com: After being in the music business for so many decades, are you still as passionate and excited as you were back at the start? Explain how it feels now long after the band was created to go on stage in front of thousands of fans compared to a few in pubs back in the day.

Geezer: It sounds contrived, but I still get the same rush going on stage now as I have always done, whether it is one hundred people, or one hundred thousand. We did a gig back in our home town in Birmingham last year, and it was the best gig I can ever remember. The atmosphere was pure magic; it was as if the band and the fans became one entity. Fantastic gig.

Read the entire interview at TheMetalForge.com.






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