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Dream Theater

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7 сен 2025 : 
Watch: DREAM THEATER Performs Entire 'Parasomnia' Album At Summer/Fall 2025 Tour Kick-Off In Reading, Pennsylvania

4 сен 2025 : 

3 сен 2025 : 
DREAM THEATER's JAMES LABRIE On Reunion With MIKE PORTNOY: 'It Just Feels Right'

16 авг 2025 : 
DREAM THEATER Teams Up With Z2 For 'Parasomnia - The Graphic Album'

11 авг 2025 : 
MIKE PORTNOY On His Return To DREAM THEATER: 'I'm So Thankful That It's Come Back Full Circle'

2 авг 2025 : 

1 авг 2025 : 
Watch: DREAM THEATER Performs At Ancient Amphitheater In Plovdiv, Bulgaria During Summer 2025 European Tour

19 июл 2025 : 
JORDAN RUDESS: DREAM THEATER Has Had 'One Of The Best Years Of Our Career' Since Launching 40th-Anniversary Tour

8 июл 2025 : 
Watch: DREAM THEATER Covers PINK FLOYD's 'Echoes' At Pompeii, Italy Concert

26 июн 2025 : 
DREAM THEATER's MIKE PORTNOY: 'LARS ULRICH, Believe It Or Not, Was A Big Influence For Me'

4 июн 2025 : 
Watch: DREAM THEATER Performs 'The Enemy Inside' With MIKE PORTNOY For First Time

22 май 2025 : 
DREAM THEATER To Perform Entire 'Parasomnia' Album On September/October 2025 U.S. Tour

6 май 2025 : 
DREAM THEATER Were Affected By MIKE PORTNOY’s 2010 Departure – “It Was Very Upsetting For Us”

4 май 2025 : 
DREAM THEATER Announces 'Vol. II' Eight-LP Box Set

26 апр 2025 : 
MIKE PORTNOY: 'Sometimes People Overlook The Importance Of The Metal Side To DREAM THEATER'

18 апр 2025 : 
MIKE PORTNOY On His DREAM THEATER Bandmates: 'I Know I Hurt Them When I Left Them'

1 апр 2025 : 

24 мар 2025 : 
Watch: DREAM THEATER Performs 'The Best Of Times' Live For First Time Ever

20 мар 2025 : 
DREAM THEATER's JOHN PETRUCCI: 'We Didn't Miss A Beat' With MIKE PORTNOY Returning To The Band

19 мар 2025 : 

11 мар 2025 : 
JORDAN RUDESS On MIKE PORTNOY's Return To DREAM THEATER: 'There Was Definitely A Renewed Energy'

5 мар 2025 : 
MIKE PORTNOY Believes That He Is 'More Of A Team Player' Now Than He Was During His Initial DREAM THEATER Run

27 фев 2025 : 
DREAM THEATER's MIKE PORTNOY On Physical Pains Of Drumming: 'For Me, It's Been Accumulating Through The Years'

24 фев 2025 : 
DREAM THEATER's JAMES LABRIE: 'When You're A Progressive Band, You Have The Freedom Of Going Anywhere You Wanna Go Musically'

23 фев 2025 : 
DREAM THEATER's MIKE PORTNOY Explains Why He Wasn't Involved With Production Of 'Parasomnia' Album

18 фев 2025 : 
DREAM THEATER's MIKE PORTNOY On Biggest Differences Between His Playing Style And That Of MIKE MANGINI
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|||| 22 янв 2025

DREAM THEATER Shares New Song 'Midnight Messiah' Featuring Lyrics By MIKE PORTNOY



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With their latest full-length record available worldwide in just 16 days, Grammy-winning, progressive music titans DREAM THEATER are releasing the next piece of music from their sixteenth studio album, "Parasomnia". The track "Midnight Messiah" — clocking in at 7:58 — is now available via all digital service providers and is the third musical composition available from the iconic reunited lineup of vocalist James LaBrie, guitarist John Petrucci, bassist John Myung, keyboardist Jordan Rudess and drummer Mike Portnoy. The song marks Portnoy's first lyrical contribution since 2009. A tour diary music video featuring footage from multiple dates of their successful European leg of the 40th-aniversary tour 2024 was directed and edited by longtime collaborator Mike Leonard from footage compiled by tour documentarian Wolfe Eliot and Paul Green Productions. The music video for "Midnight Messiah" can be seen below.

Portnoy states: "It was great writing lyrics again and contributing this chapter to the 'Parasomnia' story. DT fans may get a kick out of discovering some of the hidden nuggets I planted in the song referencing many of my past DT lyrics…and the music video is a great representation of the excitement of the first two tour legs we recently completed throughout Europe and South America. Just in time to prepare for our next leg throughout North America which we are so excited to embark on."

"Parasomnia" is due on February 7, 2025 via InsideOut Music. The LP marks the band's first release with Portnoy since 2009's "Black Clouds & Silver Linings".

"Parasomnia" was produced by guitarist John Petrucci, engineered by James "Jimmy T" Meslin, and mixed by Andy Sneap. Hugh Syme returns once again to lend his creative vision to the cover art.

From the opening track "In The Arms Of Morpheus" to the closer of "The Shadow Man Incident", DREAM THEATER returns with a collection of songs that showcase what has earned the band a loyal following for four decades. Clocking in at 71 minutes, "Parasomnia" takes the listener on a musical journey that has become synonymous with the band since the beginning of their career. "Parasomnia" is a term for disruptive, sleep-related disturbances including sleepwalking, sleep paralysis, and night terrors. Songs like "A Broken Man", "Dead Asleep", "Midnight Messiah" and "Bend The Clock" all build upon the themes brought on by the album title. The first single, "Night Terror", is a musical thrill ride captured in the just shy of ten minutes listening experience.

The track listing for "Parasomnia" is:

01. In The Arms Of Morpheus (5:22)
02. Night Terror (9:55)
03. A Broken Man (8:30)
04. Dead Asleep (11:06)
05. Midnight Messiah (7:58)
06. Are We Dreaming? (1:28)
07. Bend The Clock (7:24)
08. The Shadow Man Incident (19:32)

Portnoy co-founded DREAM THEATER in 1985 with guitarist John Petrucci and bassist John Myung. Mike played on 10 DREAM THEATER albums over a 20-year period, from 1989's "When Dream And Day Unite" through 2009's "Black Clouds & Silver Linings", before exiting the group in 2010.

Mike Mangini joined DREAM THEATER in late 2010 through a widely publicized audition following the departure of Portnoy. Mangini beat out six other of the world's top drummers — Marco Minnemann, Virgil Donati, Aquiles Priester, Thomas Lang, Peter Wildoer and Derek Roddy — for the gig, a three-day process that was filmed for a documentary-style reality show called "The Spirit Carries On".

Asked by Brazil's Marcelo Vieira and Matheus Ribeiro if DREAM THEATER's upcoming LP picks up from where the last DT album he played on, 2009's "Black Clouds & Silver Linings", left off or if it's a different thing entirely, Portnoy said: "If I'm being honest, I think it picks up right where 'Black Clouds' left off, to be honest. There's a certain style that the five of us have when we write together. And if you listen to the album with this lineup from 1999, '[Metropolis Pt. 2:] Scenes From A Memory', through 2009's 'Black Clouds & Silver Linings', if you look at that string of five or six albums, that's the sound and style of these five people. So I think that's a good indication of what you can expect with the new DREAM THEATER album. It definitely sounds like classic DREAM THEATER."

In a recent interview with U.K.'s Devolution magazine, DREAM THEATER keyboardist Jordan Rudess talked about the band's upcoming sixteenth album. Regarding Portnoy's reunion with DREAM THEATER, Rudess said: "I'm really excited because welcoming Mike back is a really emotional, really beautiful thing to his home, where he really should be. He's been so wonderful and very respectful of all of us in terms of — he was gone for a long time. And he has all these skills beyond drumming. So he asks, 'Do you mind if I get involved with this? Is it okay if I get involved with this?' And we're always, like, 'Yeah, man, come on, bring it on. All the stuff that you do, all the Mike Portnoy stuff is important.' And I am so happy because, you know, when I listen back to the music that we've been creating, it's got his stamp on it. You know that some of the stuff is coming from his brain."

Jordan added: "Let's say it kind of like it is. DREAM THEATER survived for 13 years without him. We did fine. We won a Grammy. We wrote a lot of good music. We had a fantastic drummer. All that's good. But he came back, and now you will feel it in the music, you will hear it in the songs, you will see it when we're going out and playing live. It's unmistakable. This guy, he's who he is. He's a big character. He's very, very talented. Great drummer. Really great thinker about all the different elements that go into musical-visual creation. And this album we're working on just emits that. Everyone will know as soon as they hear it. So I'm really super excited about it, and all of it it's great."

In July, Rudess was asked by Chris Akin Presents how the upcoming DREAM THEATER album compares to the rest of the band's discography. Jordan said: "Well, let's put it this way. There's this undeniable, almost unexplainable or inexplainable, whatever the word is, type of thing that happens with drummers. We survived beautifully in the 13 years that Mike Portnoy was not there. Mike Mangini was a supreme drummer, just incredible. And that said, all the albums with Portnoy, all the albums with Mangini, they have different flavors, because there's something about the back beat, if you will, of a band and the drummer that just gives an energy to the whole thing. And a lot of people speak of that. It's kind of hard to pin down. But you really notice it. Like on this new album, I listen to it and I go, 'Okay, I feel the Portnoy energy back there.'

"I would say what I'm hearing personally is classic kind of DREAM THEATER, whatever that means to anybody that's listening," he continued. "You'll have to wait and see. Think of it this way: the core band is back together again. It's classic DREAM THEATER. I also like to point out that we are a bunch of guys that we take what we do very, very seriously. We put every ounce, every bit of effort, energy into everything we do. We care so much about it, each and every one of us.

"The other day, I was talking to John Petrucci in the studio when I was doing my keyboard parts. And we were really deep and working really hard and spending long hours and just getting things to where we feel they're really, really right. And I said to John, I said, 'John, look at what we're doing. We're here late. We're working like crazy. Why? We could have been making pop music. Why are we doing this?' Just to really understand, because a lot of people don't put the kind of effort, I guess, especially these days when there tends to be a different kind of work ethic around, and maybe we're kind of like old school in that way. But to produce a product, to make something that's gonna last, that is gonna be shared with a large number of people, that's just gonna live on, in a way, forever, that, to us, is a really serious thing. And as artists, we're trying to make a statement."

Circling back to Portnoy's influence on the new DREAM THEATER music, Jordan said: "One of the beautiful things is Mike has brought with him all his incredible skills. He's not a guy who just plays the drums really well. He also understands this business. I always like to say that he's got kind of like a film director's mentality, he's looking at everything from a conceptual point of view, and he has skills that the rest of us don't. I mean, yes, we survived fine [without Portnoy], we did really well, we won a Grammy [while he was out of the band] and all that, but there's a magic there that we now have back. It's cool — it's really cool. We're super excited."




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23 янв 2025
Опять в Металлику стали играться.
Но в любом случае пободрее предыдущего скама.
23 янв 2025
Corpsegrinder04, если Металлика сама в себя перестала играться кто то же должен, ну это не плохо там не только Metallica можно и MUSE и Symphony X услышать . Но это и есть DT он и похож и в тоже время уникален.
23 янв 2025
neversaydie, откровенный Muse с Октавариума пошёл. До него всё-таки по уникальней были.
23 янв 2025
Если нейронку натренить на лучших альбомах DT, она выдаст лучший результат, чем сами DT сейчас
23 янв 2025
Так-то идеальный случай возродить полемику, которая была в посте про Пола ДиАнно.
Насчёт того пишут ли музыку под вокалиста, или он сочиняет вокальные мелодии поверх остального, и вообще вокалист это музыкант, или человек, который тусуется с музыкантами.
23 янв 2025
Mike Barlow, ну вот тут ясно слышно, что вокалисту музыку дали, и он что-то поверх напел. Когда он затыкается и солирует Петруччи, все становится понятно.
У всех групп по-разному. Вон челик из Slipknot говорит, что всегда думает о том, как это будет петь вокалист, и всегда соглашается с тем, как вокалист меняет написанное, превращая куплет в припев, припев в бридж и т.д.
Зависит от группы, короче
23 янв 2025
Mike Barlow, согласен с Вашингтоном - зависит от группы. Даже в нашей местной ноунейм группе, где я барабаню, мы всё пишем под вокалисты. Он в начале приносит текст и вокальную линию, вокруг которой уже мы строим музыкальную партию. В случаях, когда приносили в начале готовую музыку, вокалёр садился в ступор: "а что тут спеть, а как тут спеть, а какую мелодию голоса тут нафигачить?"... и в итоге, чаще всего, вокально повторял мелодию гитары, как-то так.
23 янв 2025
JackLong, вам он вокальную линию без гармоний приносит?
23 янв 2025
Вашингтон Ирвинг, чаще всего да, текст и "не-парясь над нотами" ритмически напевает, как и что он вокально видит. А уже потом все вместе решаем, где ему спеть повыше, где пониже. Как-то так)
23 янв 2025
JackLong, а че за группа-то
23 янв 2025
Конкретно здесь всё-таки учитывали форму ЛяБри, поэтому адских верхов и нет. Я бы тут скорее поднял вопрос насчёт Портного: все так хотели его назад (и я в том числе), вот он вернулся, а толку? Если судить по новым трекам, то альбомы 2013 и 2019 были гораздо интереснее. 2019 я из-за, прости Господи, Astonishing робко послушал сразу целиком по выходу, не знакомясь с синглами, а по синглам с одноимённика точно помню, что The Enemy Inside прокачал на отлично, да и сам альбом был хорош, если привыкнуть к странному звучанию барабанов. А тут просто пустая дрочка, никакой искорки, причём и дрочка, надо сказать, не самая дрочильная, бывало у них и позадорнее.

Но тут есть ещё момент "красота в глазах смотрящего": когда-то DT попали в сердечко и вошли в резонанс с душевными вибрациями, потому музыка казалась яркой и интересной, а за прошедшее немалое время взгляд на мир поменялся, и эмоции такое музло перестало вызывать, уши ловят теперь только технарьское хуярилово по грифу гитары. Я вот думаю, что у меня именно последняя история, т.к. объективно музыка у DT не сильно поменялась, все компоненты на месте.
23 янв 2025
father, их музыка не поменялась в своей формуле, но содержание совершенно другого уровня. Это как если холодец приготовить с агар-агаром, а не желатином - выглядит так же, а по вкусу сильно хуже
23 янв 2025
father, тут ещё момент есть с тем, что Петруччи так и остался основным продюссером, не смотря на Портного, поэтому конечные штрихи, как раньше, делал только Джон.

Для меня пока сигнлы звучат, как если бы был 2011 год с Портным, BCSL2.
23 янв 2025
Хороший трек , есть что послушать , и для любителей соло и для любителей покачать головой, стиль Портного узнаваем и и Петручи хорошо отыграл также узнаваемо. Целостно гармонично узнаваемо прогрессивно и в тоже время не избыточно прогрессивно когда одно и тоже 3 часа играют.
23 янв 2025
И что еще интересно . синглы идут по нарастающей от хорошего к лучшему . А не так как у Metallica от бодрого LuxAeterna до однообразного Darkness . Причем последний в акустической обработке слушался намного интересней.
23 янв 2025
neversaydie, хз, мне первый сингл вполне понравился, а вот второй подкачал. этот оставил средние ощущения
23 янв 2025
минус ........а почему?
Не Интересно!!!
Какой последний диск было интересно слушать???
правильно
26 янв 2025
ChatGPT, плюсую, Distance Over Time отличный альбом
31 янв 2025
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